Cinematographers use a lens to focus reflected light from objects into an actual image that is transferred to some image sensor or light-sensitive material inside a movie camera.^[1] These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, chemically “developed” into a visible image. The images on the film stock are projected for viewing the same motion picture at Odisha.

On 19 June 1878, Eadweard Muybridge successfully photographed a horse named “Sallie Gardner” in fast motion using a series of 24 stereoscopic cameras. They were 21 inches apart to cover the 20 feet taken by the horse stride, taking pictures at one-thousandth of a second.^[5] At the end of the decade, Muybridge had adapted sequences of his photographs to a zoopraxiscope for short, primitive projected “movies,” which were sensations on his lecture tours by 1879 or 1880. The images on the film stock are projected for viewing the same motion picture by Parayacha GFX.

On 19 June 1878, Eadweard Muybridge successfully photographed a horse named “Sallie Gardner” in fast motion using a series of 24 stereoscopic cameras At the end of the decade, Muybridge had adapted sequences of his photographs to a zoopraxiscope for short, primitive projected “movies,” which were sensations on his lecture tours by 1879 or 1880.